![]() Select the greenscreen clip in the timeline and choose Filters > BCC3 Keys & Matte > BCC Chroma Key. The top button shows the Animate button in Default interpolation the lower button shows the Animate button in Constant interpolation. This is useful when you are compositing rather than animating. Constant interpolation makes parameter adjustments that remain static and do not create keyframes. Click the Animate button at the bottom of the Controls window to toggle into Constant interpolation. ![]() This exercise will work with any bluescreen or greenscreen footage that you want.You can complete this tutorial in the Red Engine or using Red within a host application. In this example, the Clarissa.mov appears on V2 above VUS127.mov on V1 in the timeline. Edit your greenscreen footage above your background footage in the timeline. Keep in mind that some parameter values may vary slightly depending on the media that you use. You will need a greenscreen or bluescreen clip and a background clip. The Clarissa chromakey footage was provided courtesy of the Aboriginal Peoples Television Network, The underwater background was provided courtesy of ArtBeats, can complete this tutorial using your own media. This tutorial uses two QuickTime movies as example footage. This is true even when you work with difficult-to-key DV footage. Although the tutorial uses four filters, the BCC Chroma Key, BCC Matte Choker, BCC Color Balance and the new BCC Light Wrap filters, you will see how quickly you can create accurate keys using BCC or BCC AVX version 3. This tutorial combines multiple filters to solve some complex (but common) keying issues. ![]() ![]() Keying with Boris Continuum Complete in Boris Red Both Boris Continuum Complete and Boris Continuum Complete AVX 3 provide a comprehensive suite of fully native filters that allow you to create precise keys. ![]()
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